Cutting Paper in Orange County at Temple Beth Sholom

What a pleasure it was to spend my Sunday at Temple Beth Sholom in Irvine, California, to cut paper and make art with almost 50 people from their community (including participants from their high school program)! The theme was identity, and participants had to design a papercut that reflected some aspect of their Jewish identity. Lots of names, in Hebrew and English, as well as stories from the Torah, symbols of joy and celebration, and even a pet chicken!

My Story Happens in Music – A commission for a cantor

Last night I got to celebrate my buddy Yonah's 45th birthday, and make a special presentation on behalf of his wife Sydnie. Yonah and I have been friends since junior high, so when Sydnie commissioned me earlier this year to make a new papercut to mark his birthday, I was pleased and honored to accept.

This papercut is called “My Story Happens in Music”and it measures 24" x 18". Yonah lives his life at the center of his family and community, and has literally done so at Dodger Stadium when singing the National Anthem — and so this papercut’s structure is based on Dodger Stadium, and includes elements from Yonah’s life, all taken from comic books. He is a cantor and singer and a father and a husband and a friend... and I tried to represent all of this in the papercut.

The title comes from a bit of text taken from a Daredevil story; as well, the papercut features cheering crowds and engaged congregations; it includes the characters Black Bolt (known for having the most powerful voice in the universe), Dazzler (who transforms music into powerful beams of light), and Ragman (one of the first openly Jewish super heroes). Obvious and subtle references abound, alluding to music and spirituality, family and community, humor and joy. There’s a dove, in reference to the Hebrew meaning of “Yonah”; soccer, a sport close to Yonah’s heart, which he shares with his children... and more than a few inside jokes between Yonah and the artist, whose friendship dates back to junior high school.

And of course, multiple references to the home and family that Yonah and Sydnie have made — the “4” from the Fantastic Four uniform, and a quote from the 45th anniversary issue of their comic... spoken by a certain postman... and comics from each of their birth years. The sheet music at the center is an interpretation of the book of Psalms, from A. Z. Idelsohn’s 1967 book, Jewish Music in its Historical Development. A listing of the comics used in the making of this papercut is on the back of the papercut, and includes:

• Action Comics #903 (Sep 2011)
• Astonishing X-Men #26 (Oct 2008)
• Automatic Kafka #4 (Dec 2002)
• Billy the Kid #88 (Dec 1971) — Yonah’s birth year
• Bullseye: Perfect Game #2 (Feb 2011)
• Daredevil #51 (Nov 2003)
• Dazzler #4 (Jun 1981), #38 (Jul 1985), #41 (Jan 1986)
• Fallen Angels #1 (Apr 1987)
• Fantastic Four #59 (Feb 1967), #273 (Dec 1984), #543 (Jun 2007) — 45th anniversary issue
• Green Lantern: Fear Itself #1 (Apr 2011)
• Gwenpool Special #1 (Feb 2016)
• Justice League #33 (Oct 2014)
• Justice Society of America #11 (Feb 2008)
• The Legion of Super-Heroes #300 (Jun 1983)
• Los Angeles Dodgers: The Legend of the Blue Knight #1 (Apr 1997)
• Mutopia X #3 (Nov 2005) — daughter’s birth year
• Nevada #1 (May 1998)
• Ragman #3 (Dec 1991), #5 (Feb 1992)
• The Ringo Kid #5 (Sep 1970) — Sydnie’s birth year
• Shadowpact #6 (Dec 2006)
• Stadium Comics: The All-Star Story of the Dodgers #1 (Apr 1979)
• Superman #205 (Jul 2004)
• Superman/Batman #44 (Feb 2008) — son’s birth year
• Thor #394 (Aug 1988)
• Ultimate Fantastic Four #4 (May 2004)

You May Kiss the Groom – Both of You!

Mazal tov to Meir Bargeron and Jon Tam! I am so pleased to share with you the Bargeron-Tam ketubah, which I created for them — and they just signed it and got married this past weekend!

According to Kabbalah the four days between Yom Kippur and Sukkot are especially holy days, and excellent for a wedding — and Jon and Meir got married during that auspicious time. For that reason, their ketubah is a hupah and a sukkah. The sukkah has many parallels with the hupah, after all: both represent dwellings, and are places of peace and comfort. We invite guests to join us for both, and we celebrate with food and drink. The top of the ketubah is the sukkah’s lattice roof, filled with texts about marriage taken from comic books and the ketubah text.

The lattice incorporates texts from comic books and from traditional texts referenced in the ketubah text – here, from the book of Bereshit (Genesis).

Overflowing with promises!

Here's where the ketubah gets its name from – text from X-Men #51 (August 2012). Also, text from the book of Hosea, referenced in the ketubah text.

Grapes and pomegranates climb alongside the English text: symbols of joy and family, and a reference to the wine Meir and Jon share under the hupah.

The section in between the English and Hebrew texts is made of tea leaves, specifically those used to make dong ding oolong tea, which the couple had in a tea ceremony prior to entering into the hupah. Blazing beside the Hebrew is a havdalah candle with two wicks joining into one flame; this represents the Havdalah service Jon and Meir included as part of their wedding, and the colors are those of the silk hupah under which they make their vows. The candle is also a reference to these words from the Baal Shem Tov:

From every human being there rises a light that reaches straight to heaven, and when two souls that are destined to be together find each other, the streams of light flow together and a single brighter light goes forth from that united being.

The ketubah is made of cut-up comic books, in particular wedding-themed issues — and many pieces are from mainstream superhero comics’ first same-sex wedding, in Astonishing X-Men #51. Comics in the ketubah include:

• Astonishing X-Men #51 (August 2012) — wedding of Jean-Paul Beaubier (Northstar) and Kyle Jinadu
• The Justice League of America #121 (August 1975) — wedding of Adam and Alanna Strange
• The Legion of Super-Heroes Annual #2 (1983) — wedding of Val Armorr (Karate Kid) and Princess Projectra
• Superman: The Wedding Album #1 (December 1996) — wedding of Clark Kent (Superman) and Lois Lane
• Ultimate Comics X-Men #22 (April 2013)
• The Wedding of Deadpool #1 (March 2016)
• X-Men Legacy #255 (November 2011)

The Place of the Cure of the Soul: A Commission for Robert Kirkman and Skybound

This is “The Place of the Cure of the Soul,” a papercut I was commissioned to create for Skybound Entertainment (Robert Kirkman! The Walking Dead! Yeah, those guys.)

The papercut is a representation of the Ancient Library of Alexandria, one of the largest libraries of the ancient world and dedicated to the Muses. According to legend, an inscription above the library’s shelves of papyrus scrolls read, “The Place of the Cure of the Soul” — and what better way to represent Skybound Entertainment, whose work serves that same goal — with its body of work encompassing comic books, television shows, merchandise, games and more.

This papercut is made of a single sheet of cold press watercolor stock, thematic selections from the Oxford English Dictionary, and cut-up comic books from Skybound Entertainment including:

Birthright #8 (Jun 2015), #12 (Dec 2015), #13 (Jan 2016), #16 (Jun 2016)

Invincible #121 (Jul 2015), #123 (Sep 2015), #126 (Dec 2015), #128 (May 2016)

Manifest Destiny #14 (Apr 2016), #15 (Jun 2015), #18 (Oct 2015), #19 (May 2016), #20 (Jun 2016)

Outcast #12 (Sep 2015), #15 – #17 (Jan – Mar 2016)

Techjacket #10 (Jun 2015), #11 (Sep 2015), #12 (Dec 2015)

Thief of Thieves #28 (May 2015), #30 (Aug 2015), #31 (Sep 2015)

The Walking Dead #142 (Jun 2015), #149 (Dec 2015), #150 (Jan 2016), #151 (Feb 2016), #153 – #156 (Apr – July 2016)

Home is a Road: the Greenwald-Hromadka Ketubah

Mazal tov to Adam and Anne! I was so honored that they asked me to make their ketubah, and my wife and I were so pleased to celebrate with them today as they became husband and wife.

The Greenwald–Hromadka ketubah is a labyrinth: an intertwined collection of paths with infinite choices, and the potential for serendipity and coincidence. A labyrinth is designed for discovery; wandering is the intent, and every path leads to the center. A labyrinth encourages you to walk slowly, to pause here and there, to experience the path instead of just focusing on a destination. In Bereshit we read about Jacob wandering and wrestling with an angel; afterward, he realizes that he has found holy ground. That’s Adam and Anne’s story: walking the multitude of paths until they met, realizing they had found something holy, and then wandering those paths together. For Adam and Anne, home is a road.

The ketubah text is surrounded by this labyrinth, built in a palette of blues, purples, and reds. These are the colors of the mishkan — the desert tabernacle constructed by Bezalel and the Jewish people during their desert wanderings; it was a focus for worship and a work of art in itself. These colors also reference grapes (for wine and joy) and pomegranates (for fertility and the mitzvot). The building of the mishkan is a wonderful metaphor for the couple, combining Adam’s commitment to serving the Jewish community through his rabbinate, and Anne’s drive to bring beauty to the world through creation and curation; accordingly, verses from Shemot/Exodus chapter 26 are incorporated into the labyrinth.

The colorful spaces surrounded by and created by the wandering paths are cut-up comic books representing Adam and Anne — their courtship, their couplehood, and the life they are planning together. Adam’s intelligence and focus are found in the characters of Professor X (leader of the X-Men) and Mr. Terrific (the third smartest man in the world), and his passion is seen in his namesake Adam Strange, who travels between worlds to be with the love of his life. Anne’s creativity and her gypsy and cajun roots are represented in Gypsy (a member of the Justice League of America) and Rogue (a member of the X-Men, whose real name is Anna Marie), and the power of her love is personified by Star Sapphire.

The ketubah is filled with speech bubbles that relate to the couple and their wedding, and glimpses of the superheroes that stand in for them; there are allusions to many of their stories, including references to Los Angeles — which Adam and Anne describe as a key player in their relationship.

The Greenwald–Hromadka ketubah is made of cut-up comic books; this is a partial listing:

• All-Star Superman #2 –Jan 2006
• Archie #1 – May 2016
• ETC #1 – 1989
• Green Lantern: New Guardians #15 – Feb 2003
• Justice League of America #121 – Aug 1975; #234 – Jan 1985; #39 – Jan 2010
• Justice Society of America #14 – May 2008
• Loki #1 – Dec 2010
• ODY-C #1 – Nov 2014
• Promethea #31 – Oct 2004
• Rogue #3 – Mar 1995; #4 – Apr 1995)
• Runaways #15 – Jun 2006; #16 – Jul 2006
• Spider-Man Loves Mary Jane #15 – Apr 2007
• Strange Adventures #1 – May 2009; #2 – Jun 2009
• Superman: The Wedding Album #1 – Dec 1996
• Swamp Thing #63 – Aug 1987
• Tales of the Teen Titans #50 – Feb 1985
• The Wedding of Deadpool #1 – Mar 2016
• Ultimate X-Men #53 – Jan 2005
• Wonder Woman #23.2 – Nov 2013
• X-Factor #14 – Mar 1987
• X-Men ‘92 #1 – Aug 2015

#adamandanne2016

"Spring up, o well!" – Camp Newman's newest mosaic

This "Miriam's Well" mosaic just made its debut at URJ Camp Newman, just in time for the 2016 "Mark and Peachy Levy Hagigah Festival of the Arts," and I'm so proud of the work that the campers (and faculty!) put in to make this beautiful new addition to camp. And you want to know how we did it? I'm glad to share a little bit of our process, in words and pictures. PLENTY of pictures... but first a little introduction.

I've got to express my sincere thanks to my Dream Lab comrades, especially our fearless leader Dr. Miriam Heller Stern, and acknowledge that this mosaic was made possible with a generous contribution from The Covenant Foundation.

Second, maybe you're not familiar with Hagigah? The Hagigah program at URJ Camp Newman is the premier Jewish arts teen program on the West Coast. Campers choose majors and minors in visual and performing arts, studying with distinguished Jewish artists in an exploratory and collaborative atmosphere. This was my tenth summer at Camp Newman (I do a two-week residency every year), where my wife is one of the faculty rabbis, and where my three kids have been going every summer as well.

So – how'd we start the mosaic? I had only just arrived at camp, and Camp Newman Executive Director Ruben Arquilevich took me on a little walk to a spot by the newest cabins, where we admired a new water bottle refilling station... and the blank wall surrounding it. "How about right here?" he asked, and I had my goal: to design a mosaic to fit in the space physically and thematically.

I had about 16 campers working with me in our one-hour-per-day mosaic workshop, and our first discussion was devoted to developing our theme. I'd printed out several texts on water from traditional sources, and after quite a bit of discussion and debate we settled on Miriam's Well as our subject.

While the Jewish people wandered through the wilderness they were accompanied by a wondrous well which would provide water for them at every resting-place. God created this well for the sustenance of the Israelites in recognition of the merits of Miriam, which is how it gets its name. The well followed them on all their wanderings — and wherever they halted, it halted, too, settling in position opposite the Tabernacle. The leaders of the twelve tribes would appear and chant to it, “Spring up, o well,” and water would gush forth from its depths, and shoot up high as pillars, then discharge itself into great streams. These streams demarcated areas for each of the twelve tribes to camp in, and were so powerful that people were obliged to make use of ships to visit one another. The water led beyond the encampments, where it caused to grow every conceivable kind of plant and tree; and these trees, owing to the miraculous water, daily bore fresh fruits.

The final sketch – only 5" wide!

I sketched out numerous approaches in my little black sketchbook, eventually sharing the final design with my campers, who unanimously approved, and once I had it sketched out on our Hardie boards – two separate boards, one for each side of the water bottle refilling station, each measuring 30" tall and 5' wide – the campers began to lay white tiles along the design outlines.

The design drawn out on the two boards

The first tiles in place!

Campers laying in the outlines

The left panel with outlines complete

The fun began once the outlines were complete, and we got to start laying the colored tile – bit of broken storebought tile, some purchased online, and some donated by a local ceramics place. I decided on a limited palette – mostly blues and greens – and even found a few special touches that we'd figure out along the way.

Campers chose which tile types and colors to use

I found these ceramic letter tiles online, and knew I'd want them for something...

So it was time to get to work – piece by piece, section by section. I showed the campers how to follow along the outlines already tiled in white, and suggested they follow the contours, but otherwise they had free reign to pick tiles and colors as they wanted... with me looking over their shoulders and making the occasional suggestion.

Following the contours of the outlines

Campers would sometimes lay in the tiles before applying tile adhesive

Nearly 30 square feet to cover with tile, in about eight one-hour sessions – a bit daunting!

But we were making good progress

Look at those serious, working faces!

Look at those happy, smiling faces!

But it wasn't just the Hagigah campers who got to have fun – I invited camp faculty (clergy, educators, office and medical staff, and even Ruben!) to join us for a "Faculty Mosaic Night." It helped everyone feel better about the timeline... the campers were glad to have the assistance!

Rabbis, cantors, educators, medical and nefesh staff... and more!

Even with all this help, the campers still had PLENTY to do to finish it up

One of the other Hagigah artists – Sarah Edelstein – agreed to hand-letter two tiles for us with our text source from the book of Numbers.

And I found a use for the letter tiles – the campers REALLY wanted the mosaic to say "Hagigah 16," and this worked perfectly!

Look sideways and you'll see it

Here's Sarah's lettering close-up, in the finished mosaic

Another detail from the completed mosaic

I'm so proud of everyone who contributed to the mosaic, and so pleased to have been given the opportunity to create this for Camp Newman.

The finished mosaic, mounted in place

Teenagers + knives = magic

I love papercutting – and I love teaching others to cut paper, leading them to try something new and engage with our tradition in a manner very different from their usual methods. That's why I lead papercutting workshops throughout the year — and why I spend two weeks every summer at URJ Camp Newman doing so with high school-age campers. This summer was my TENTH YEAR at Newman, and a spectacular one.

The Hagigah program at URJ Camp Newman is the premier Jewish arts teen program on the West Coast. Campers choose majors and minors in visual and performing arts, studying with distinguished Jewish artists in an exploratory and collaborative atmosphere.

Their experience culminates in the camp-wide “Mark & Peachy Levy Hagigah Festival of the Arts” to celebrate their work – and the 2016 festival is tomorrow night, July 14. This year, with thanks to Dream Lab and generous support from The Covenant Foundation, I produced a booklet featuring all of the campers' work — to be distributed at the festival to all attendees.

This summer I had 16 campers in my papercutting workshop – two hours every day for two weeks. The campers made some wonderful art, and I'm pleased to share it with you here.

First, the "mizrach" project. Each of the 16 campers made a mizrach (מזרח means "east"). East is the direction that Jews outside of Israel traditionally face during prayer, and a mizrach is an ornamental wall plaque used to indicate the direction of prayer – and that's what the students made, after some group brainstorming about what imagery might work in such an artwork. They were allowed to interpret the idea of a mizrach however they wanted. What I find fascinating about the process is how everyone starts in the same place, with the same goal... but each piece is different, expressing something about the camper-artist who made them.

Dani

Ethan C.

Ethan R.

Hannah

Hannah S.

Jacob

Max

Mia

Noah

Phoebe

Rachel

Sam

Thea

Tristan

Yaron

The second project we do is "paper midrash" – each camper had to identify a story or character from Jewish tradition, and explore and develop it with the aid of knife and paper. Some worked with one of the camp rabbis to find fascinating little tidbits, others made up their own commentaries, and all of them created stunning work. I've included their descriptions of their work in the captions of the photos – their words about their inspiration and process.

Dani: "I wanted a piece that illustrated the forbiddenness of secular music in biblical times. The colours I used are meant to symbolise the beauty that music — religious or not — can bring to the world."

Ethan C.: "I chose the story of the burning bush because I thought that it was interesting that ‘the bush burned with fire, and the bush was not consumed’ [Exodus 3:2]."

Ethan R.: "Judah ben Tema said, ‘Be fierce as a leopard, light as an eagle, swift as a gazelle, and strong as a lion to do the will of our Father in heaven’ [Mishnah Avot 5:20]."

Hannah: "I designed a mezuzah that has the Tree of Life in it. At the base is a pomegranate, which represents mitzvot. The tree then branches out with a Star of David, which represents Judaism. The mezuzah is being hung over the city of Jerusalem to remind us that Jerusalem is always our home."

Hannah S.: "My midrash is a depiction of the creation of night and day [Bereshit 1:4].
I like the idea of the sun and moon because they are everyday things we see, but don’t fully understand."

Max: "This piece is a representation of the idea that everyday is a new opportunity to improve your life. Your future is constantly changing and each day is a new chance to change who you are or what you will become. Each ray of light of the sun is a different shade and design of red, yellow, orange, or purple. This is a symbol for how each day is different. It’s up to you whether or not the day is good."

Mia: "This is my representation of Eve. She is surrounded by green to show her in the Garden. She is holding a pear instead of an apple, showing that she is good and not evil, as she is often portrayed to be. Pears represent motherhood and love. Eve stands alone in this piece because she is usually shown as simply being Adam’s partner, but this shows that she does not necessarily need a man to complete her."

Noah: "I was interested in how Judaism teaches about death and mourning. I thought it was interesting that Jews were virtually the only ancient people to forbid cremation. As Jews, we don’t let ourselves forget the dead. This is why I wrote ‘Never Forget’ and ‘zichronam livracha’ which means ‘Let Their Memory Be For a Blessing.’ We also recognize that life is ending like a flame. This is why I chose to put darkness in place of the flame, while the candle still stands like the body we refuse to cremate."

Peyton: "I chose to do my midrash on an olive branch and dove. When I was trying to figure out what I should do my piece on I read about how olive branches signify peace, and in the Noah’s Ark story — when the flood is over —a dove brings Noah an olive brach signifying peace and that the flood is over and a new life is waiting [Bereshit 8:11]. I love the story and I think peace is a great thing and I wanted to show that in my art."

Phoebe: "The Babylonia Talumd tells us, ‘When a boy was born, it was custom to plant a cedar tree; and when a girl was born, an acacia. When they wed, the tree [planted at birth] was cut down and the wedding canopy made from its branches.’ I believe this tradition is so beautiful. The idea that two separate trees are planted and then brought together is so amazing, and what love should be about: two people coming together. I decided to depict an acacia and cedar branch, both with different coloring. I put a heart in between as a symbol of love, and backed it with a comic in which two people in love were holding hands."

Sam: "As a kid, I always loved the song, ‘There’s a Dinosaur Knocking at My Door, [and He Wants to Have Shabbat with Me]’ and every time I think of that song, I get nostalgic."

Thea: "I chose the creation/separation of night and day for my midrash [Bereshit 1:4]. I chose this theme because I think the sun and moon are very pretty. By using this story, I could incorporate the sun and moon into my art."

Tristan: "I decided to create my piece on lightning, because it has always fascinated me. R. Berekhiah the Priest said: ‘Lightning is something generated by the fire from on high. Hence, when it goes forth, its light illuminates the world from end to end.’"

Yaron built an ark to house the Torah – an original design, backed with super hero comics.

I'm so proud of these campers – they created such beautiful, meaningful work. Yasher koach to all of them!