I've returned from my annual residency at URJ Camp Newman, and I had (as usual) a wonderful time – two weeks teaching papercutting to the campers in the Hagigah session, praying in the midst of giant trees, hanging out with our once-a-year faculty friends, and even trying a few new things (more on that to come).
First, however, I wanted to share some photos from my papercutting workshop. This year I had a group of 18 kids cutting with me every day (yikes!) – a very big group, but also a very talented group.
I've written in past years about Hagigah – the camp session
focused on Jewish expression through the arts (fine art, dance, music,
writing, photography, video, and more). They're all high school
students, and many of them have been coming to Camp Newman since they were
little.
First day? We get knives (after a talk on knife safety). And then we're off to the races, with two hours a day of cutting.
The first project was a mizrach,
an ornamental wall plaque used to indicate the direction of prayer
(east) in Jewish homes. We brainstormed as a group to get some ideas going, but each student designed their own mizrach, and then backed it with comics.
The second (big) project was to create "paper midrash" – using papercutting to tell or add to a story
from the Tanakh (Torah, prophets, and writings) or midrash. Some chose to work with stories from the b'nei mitzvah portions, or related to their names, or they just found something that interested them – it was entirely up to them (with a little guidance from me and some camp rabbis).
Both works from all campers will be shown in the annual "Peachy Levy Festival of the Arts" held at camp at the end of Hagigah. I'm holding back photos of the finished pieces until after the festival – that way the kids can premiere their work. But I *do* have pictures of the BACKS of their pieces...
Tuesday, July 1, 2014
Wednesday, June 11, 2014
And All the Women Went
This is a new papercut titled "And All the Women Went" — a phrase taken from a scrap of a book incorporated into the background. It's a vision of the parting of the Sea of Reeds, with the sea pushed up into walls of water surrounding the children of Israel on their exodus from Egypt. The background also includes pieces of the following comics:
Wonder WomanI made this piece for the Temple Ahavat Shalom Sisterhood Luncheon this past weekend, where it was auctioned off to raise money for the sisterhood.
Unwritten
Echo
Revival
Moon Knight
Last of the Greats
Labels:
comics,
Egypt,
exodus,
Miriam,
Moon Knight,
Paper Midrash,
papercut,
Red Sea,
Temple Ahavat Shalom,
Torah,
water,
Wonder Woman
Thursday, May 29, 2014
Three Things
I've made a new papercut to donate to this weekend's fundraising auction at the annual Temple Ahavat Shalom gala (Saturday, May 31, 2014).
In Pirkei Avot 1:18 we read, "Rabbi Shimon ben Gamliel tells us that the world stands upon three things: truth, justice, and peace." This papercut takes as its inspiration the journeys of friendship and giving that have sustained Mindy & Dave and Debbie & Scott, being honored at this year's gala — the ideals that make them who they are, and their commitment to tikkun olam... to fixing the world that they see on their travels.
In this papercut the world is represented supported on a foundation of these three ideals, rendered in papercut Hebrew: emet, tzedek, and shalom. It is titled "Three things," and it's backed with cut-up comics including:
The Infinite Horizon (#5, Oct 2011)Details on the gala can be found on the web here. If you're interested in bidding in absentia, please email here or call (818) 360-2258.
The Infinite Vacation (#5, Jan 2013)
Batman/Superman (#8, Apr 2014)
Superman (#23.3, Nov 2013)
Wonder Woman (#23.2, Nov 2013)
Justice League Europe (#2, May 1989)
Nextwave (#1, 2006)
Three things
16" x 20"
Mixed media
2014
Labels:
auction,
Batman,
Hebrew,
justice,
Justice League,
papercut,
peace,
Pirkei Avot,
shalom,
Superman,
Temple Ahavat Shalom,
truth,
Wonder Woman,
world
Thursday, May 8, 2014
Cutting up comics - what it looks like in my studio
There's something I really enjoy about visiting artists in their studios and seeing how they work – getting a peek at the process. When a visit is tricky, seeing pix of the process is a fine stand-in. That's why I try to share the occasional photo out here with you, so you can get a glimpse of what happens in my studio.
This is what a typical comic page looks like after I've been cutting it up for one of my papercuts. What you're seeing here is a few panels from Justice, Inc. - a 1989 DC title from Andrew Helfer and Kyle Baker. I'm at work on a commission which I can't talk about publicly just yet, but I can say that the title is important and I needed a lot of blue.
You can see how I've removed certain pieces which used a variation on the same blue; I'm piecing them together in this commission to create a mosaic effect.
This is really the piece to be thrown out... but sometimes the effect of dissection creates these interesting (accidental) works in negative, and I get attached to them.
This is what a typical comic page looks like after I've been cutting it up for one of my papercuts. What you're seeing here is a few panels from Justice, Inc. - a 1989 DC title from Andrew Helfer and Kyle Baker. I'm at work on a commission which I can't talk about publicly just yet, but I can say that the title is important and I needed a lot of blue.
You can see how I've removed certain pieces which used a variation on the same blue; I'm piecing them together in this commission to create a mosaic effect.
This is really the piece to be thrown out... but sometimes the effect of dissection creates these interesting (accidental) works in negative, and I get attached to them.
Sunday, May 4, 2014
May the Fourth be with You!
Happy Star Wars Day – as a treat, I'm uploading a Zip archive of the entire "Living in These Star Wars" album from The Rebel Force Band (recorded in 1977). Download it here. It's a big file, but it's worth it. Track list:
- Living in these Star Wars
- Don't Fall in Love with an Android
- Leia
- Chewie the Rookie Wookie
- Respirator for Darth Vader
- Spaced Out
- May the Force Be with You
- The Ballad of Obi Wan (OB-1)
- You'll Be a Warrior
- Living in these Star Wars (Disco)
Tuesday, April 1, 2014
Schepping nachas
I am so proud to have been able to be a part of this incredible effort, raising money for pediatric cancer research. The organizers (Rabbi Rebecca Schorr notably among them) kept adjusting the goal upward as it was met and exceeded throughout the campaign, and the total is now more than $570,000 (and still going up!)
Sam Sommer succumbed to acute myelogenous leukemia earlier this year, and his parents and friends organized a fundraiser through St. Baldrick's to support pediatric cancer research. Originally designed around 36 rabbis who would shave their heads to raise money for the cause, the number of shavees wound up more than double that number, with countless volunteers and supporters.
The papercut I created to support the cause is a mix of sadness and joy, of challenge and triumph – fitting for Samson's story, and Sam's as well. It's made with cut-up Superman comics, including the "World Without a Superman" trade paperback, and includes a speech bubble which reads, “Those are lessons I'll never forget” — it's a reference to the lessons we take from Sam's life, from this event, and from our determination to fight the good fight.
How can you get involved? Give. And for those who give $360 or more in new donations at this special "Art for a Cause" page, you'll receive a limited edition signed and numbered giclée print of "Superman Samson." It measures 14" x 11" (same size as the original), and will only be available for a limited time.
A new direction for Nice Jewish Artist

UPDATE
April Fool's.Wednesday, March 26, 2014
"Superman Samson" –
supporting "Shave for the Brave"
I created the “Superman Samson” papercut in tribute to “Superman Sam” Sommer.
Sam succumbed to acute myelogenous leukemia earlier this year, and his parents and friends have organized a fundraiser through St. Baldrick's to support cancer research. Originally designed around 36 rabbis who would shave their heads to raise money for the cause, the number of shavees is now more than double that number, with countless volunteers and supporters.
The papercut I created to support the cause is a mix of sadness and joy, of challenge and triumph – fitting for Samson's story, and Sam's as well. It's made with cut-up Superman comics, including the "World Without a Superman" trade paperback, and includes a speech bubble which reads, “Those are lessons I'll never forget” — it's a reference to the lessons we take from Sam's life, from this event, and from our determination to fight the good fight.
How can you get involved? Give. And for those who give $360 or more in new donations at this special "Art for a Cause" page, you'll receive a limited edition signed and numbered giclée print of "Superman Samson." It measures 14" x 11" (same size as the original), and will only be available for a limited time.
Friday, March 21, 2014
Thursday, March 6, 2014
Super Heroes, Holy Land:
"Altar Flame" and "Altar Smoke"
These are two of the pieces in my current show, "Super Heroes, Holy Land!" now showing at UCLA Hillel's Dortort Gallery in Los Angeles – on the left is "Altar Flame" and on the right, "Altar Smoke." The originals each measure 24" x 36", though 20" x 30" prints are available in my online store.
Details on each are below – if you want to see them in person, check out the show: open through April 21 (extended!) at UCLA Hillel's Dortort Gallery in Los Angeles, at 574 Hilgard Avenue; call 310-208-3081 for hours or click here for details.
-----
Altar Flame
24" x 36"
Mixed media
2013
The eternal flame on the altar was a symbol of God’s continuing presence with the Jewish people, and people from across the land would journey to Jerusalem during the three festivals — as these sacrifices could only be fulfilled in this one spot. The presence of this flame and the sacrifices that were made on the altar were a very physical process that we have since replaced with the work of our minds and the recitation of words, hence the inclusion of parts of the Life Science Library volume titled, The Mind.
-----
Altar Smoke
24" x 36"
Mixed media
2013
The smoke rising from the altar at the Temple’s Holy of Holies was the physical remnant of communicating with God in ancient times – it was evidence that we had engaged with the Eternal. The smoke would bring sweet smells up to the very anthropomorphized God that could only be addressed in this way, in this particular spot. The smoke represents the direct line of communication with God; Jerusalem is still considered the place with that direct connection to God.
Details on each are below – if you want to see them in person, check out the show: open through April 21 (extended!) at UCLA Hillel's Dortort Gallery in Los Angeles, at 574 Hilgard Avenue; call 310-208-3081 for hours or click here for details.
-----
Altar Flame
24" x 36"
Mixed media
2013
The eternal flame on the altar was a symbol of God’s continuing presence with the Jewish people, and people from across the land would journey to Jerusalem during the three festivals — as these sacrifices could only be fulfilled in this one spot. The presence of this flame and the sacrifices that were made on the altar were a very physical process that we have since replaced with the work of our minds and the recitation of words, hence the inclusion of parts of the Life Science Library volume titled, The Mind.
Includes:
- 300 #2 (Jun 1998)
- 5 Days to Die #2 and #5 (Sep 2010)
- Automatic Kafka #2 (Oct 2002) and #3 (Nov 2002)
- Avengers vs. X-Men #1 (Jun 2012)
- The Infinite Horizon #6 (Nov 2011)
- Paradise X #8 (Feb 2003)
- Ten Grand #3 (Jul 2013)
- Wonder Woman #44 (Jul 1990)
- X-Infernus #1 (Feb 2009)
- X-Men #199 (Nov 1985)
- Life Science Library: The Mind. Ed. by John Rowan Wilson. Time-Life Books, Virginia (1980).
-----
Altar Smoke
24" x 36"
Mixed media
2013
The smoke rising from the altar at the Temple’s Holy of Holies was the physical remnant of communicating with God in ancient times – it was evidence that we had engaged with the Eternal. The smoke would bring sweet smells up to the very anthropomorphized God that could only be addressed in this way, in this particular spot. The smoke represents the direct line of communication with God; Jerusalem is still considered the place with that direct connection to God.
Includes:
- Astonishing X-Men #26 (Oct 2008)
- Automatic Kafka #1 (Sep 2002) and #4 (Dec 2002)
- Batman: The Black Glove (2008)
- The Infinite Horizon #4 (Apr 2009) and #6 (Nov 2011)
- Judenhass (2008)
- Marvels: Eye of the Camera #1 (Feb 2009)
- The Mighty Thor #399 (Jan 1989)
- The New Mutants #27 (May 1985)
- ROM #31 (Jun 1982)
- Superman #77 (Mar 1993) and #18 (May 2013)
- X-Men Legacy #246 (May 2011)
- The World of Ancient Israel. David Meilsheim. Tudor Publishing Company, New York (1973).
Tuesday, March 4, 2014
The Journey of the Sun
This is the first new papercut I've completed on my new studio table:
"The Journey of the Sun." It borrows heavily from Egyptian iconography, showing the Sun god Ra (also known as Khepri, and often represented by a scarab beetle) rolling
the sun across the sky, transforming bodies and souls.
It includes cut-up comics featuring Blue Beetle (of course), as well as some pieces out of an old dictionary and an old encyclopedia volume.
I made "The Journey of the Sun" for this weekend's annual fundraising gala at Albert Einstein Academy, a local charter school. As I understand you can't bid on it online; only gala attendees can bid. But if you're a serious bidder, contact me via email... maybe we can make something happen.
It includes cut-up comics featuring Blue Beetle (of course), as well as some pieces out of an old dictionary and an old encyclopedia volume.
I made "The Journey of the Sun" for this weekend's annual fundraising gala at Albert Einstein Academy, a local charter school. As I understand you can't bid on it online; only gala attendees can bid. But if you're a serious bidder, contact me via email... maybe we can make something happen.
Thursday, February 20, 2014
Moving into my new studio:
building my new table
I've just moved into a new home studio space, and I needed a new, bigger table to work on new, bigger papercuts. Luckily, I know someone who is a talented craftsman and – more importantly – was willing to help me make a table from scratch.
Seriously – we bought lumber and everything.
This was a first for me – I cut paper, but usually not wood. Alan helped me plan what the table would look like based on what I needed it to do – and we started by buying a 4' x 8' sheet of plywood, oak for the edges, and all sorts of other stuff. He, of course, had all the tools we'd need.
Like this power saw. Yeah, he did a lot of the work – but showed me how to use some great tools, and taught me a lot about quality woodworking. Alan? Definition of the master woodworking perfectionist – no detail too small to be done exactly right. Once we had the board the right size, we added oak edges and drilled for the legs.
In this photo of the underside of the table you can see the pocket holes Alan made with a big, heavy machine made specifically for the purpose – that's how we attached the edges without having any holes in the exterior; it's all hidden underneath.
I'm drilling holes for the legs, which are made to adjust from about 30" to 40" – allowing my plenty of flexibility as I determine the height at which I want to work... and allowing me to change my mind if I wish. Perhaps I'll like cutting at one height, and assembling backgrounds at another... who knows?
The top of the table is a laminate which we glued and rolled on – the trickiest part of the process. Alan and I were glad we got the top on with no bubbles, no bumps, no problems at all. I won't be cutting on the surface – that's what cutting matts are for – but it's a great durable white surface that's easy to clean.
The finished table is 3' x 6', and it looks great in my new studio.
Thanks to Alan, I couldn't be happier with my new table (and my new space) – now I've just got to get the last of my shelving in, put up some track lights, and it'll be the perfect studio.
Seriously – we bought lumber and everything.
This was a first for me – I cut paper, but usually not wood. Alan helped me plan what the table would look like based on what I needed it to do – and we started by buying a 4' x 8' sheet of plywood, oak for the edges, and all sorts of other stuff. He, of course, had all the tools we'd need.
Like this power saw. Yeah, he did a lot of the work – but showed me how to use some great tools, and taught me a lot about quality woodworking. Alan? Definition of the master woodworking perfectionist – no detail too small to be done exactly right. Once we had the board the right size, we added oak edges and drilled for the legs.
In this photo of the underside of the table you can see the pocket holes Alan made with a big, heavy machine made specifically for the purpose – that's how we attached the edges without having any holes in the exterior; it's all hidden underneath.
I'm drilling holes for the legs, which are made to adjust from about 30" to 40" – allowing my plenty of flexibility as I determine the height at which I want to work... and allowing me to change my mind if I wish. Perhaps I'll like cutting at one height, and assembling backgrounds at another... who knows?
The top of the table is a laminate which we glued and rolled on – the trickiest part of the process. Alan and I were glad we got the top on with no bubbles, no bumps, no problems at all. I won't be cutting on the surface – that's what cutting matts are for – but it's a great durable white surface that's easy to clean.
The finished table is 3' x 6', and it looks great in my new studio.
Thanks to Alan, I couldn't be happier with my new table (and my new space) – now I've just got to get the last of my shelving in, put up some track lights, and it'll be the perfect studio.
Wednesday, February 5, 2014
Super Heroes, Holy Land:
"Fantastic City"
I cut this papercut as a navigable map of the Old City of Jerusalem showing its four quarters and major thoroughfares. My favorite route to the Wall is on here (from the Jaffa Gate, through the Armenian Quarter), and I'm sure you'll find your way as well.
Each of the quarters is represented by a member of the Fantastic Four: The Thing for the Jewish Quarter, Mr. Fantastic for the Christian, the Invisible Woman for the Armenian, and the Human Torch for the Muslim. The Temple Mount is backed with academic texts on these religious traditions.
There are pieces of Israeli comics in it as well – including a bit with the Hebrew for "amen" at the site of the Western Wall.
This papercut includes:
Each of the quarters is represented by a member of the Fantastic Four: The Thing for the Jewish Quarter, Mr. Fantastic for the Christian, the Invisible Woman for the Armenian, and the Human Torch for the Muslim. The Temple Mount is backed with academic texts on these religious traditions.
There are pieces of Israeli comics in it as well – including a bit with the Hebrew for "amen" at the site of the Western Wall.
This papercut includes:
Fantastic Four #17 [trade book] (Aug 1963), #248 (Nov 1982), Annual #18 (1984), #265 (Apr 1984), #272 (Nov 1984), #296 (Nov 1986), #297 (Dec 1986), #300 (Mar 1987), #314 (May 1988), #354 (Jul 1991), #410 (Mar 1996), #542 (Jan 2007)"Fantastic City" is in my current show in Los Angeles, "Super Heroes, Holy Land" – in which all of the papercuts are inspired by my recent family trip to Israel. This one is already sold, but there are still pieces available for purchase.
Fantastic Four: Flesh and Stone (2001)
Fantastic Four 2099 #6 (Jun 1990)
The Last Fantastic Four Story #1 (Oct 2007)
Marvel Adventures Fantastic Four #34 (May 2008)
Silent War #1 (Mar 2007)
The Thing #22 (Apr 1985)
Ultimate Fantastic Four #4 (May 2004), #10 (Oct 2004), #42 (Jul 2007)
Life World Library: Israel. Time Incorporated, New York (1965).
Sacred Books of the World. A.C. Bouquet. Penguin Books, London (1954).
Labels:
desert,
Dortort,
Fantastic Four,
Hebrew,
Human Torch,
Israel,
Jerusalem,
papercut,
Thing
Monday, January 27, 2014
"Tower of Babel" at the Pacific Design Center
This is "Tower of Babel," which will be included in "One for the Road," an exciting group show being held this Friday, January 31, at the Hudson|Linc gallery at the Pacific Design Center.
This papercut is made with cut-up and reassembled speech bubbles. It's probably obvious why. On the left is the piece in its frame; on the right, a detail shot.
It's Hudson|Linc's last show in this space, it's only for one night. It's a "cash and carry" show, with all works priced at $1000 and under. It's suite B215 at the Big Blue Whale from 5 to 8:30 pm. Artists in the show include:
This papercut is made with cut-up and reassembled speech bubbles. It's probably obvious why. On the left is the piece in its frame; on the right, a detail shot.
It's Hudson|Linc's last show in this space, it's only for one night. It's a "cash and carry" show, with all works priced at $1000 and under. It's suite B215 at the Big Blue Whale from 5 to 8:30 pm. Artists in the show include:
Anthony Ausgang
Jaime Becker
Debra Bianculli
Dave Bondi
Isaac Brynjegard-Bialik
Gavin Bunner
Sam Dahl
Walpa D'Mark
Chuck Feesago
David French
Tm Gratkowski
Kio Griffith
Paul Guillemette
Zeal Harris
Brian Hollister
Thomas Isaac
James Johnson
Ben Junta
Kohl King
Shannon LaBelle
Olga Lah
Leanne Lee
Nick Lisica
Chris Mercier
Miriam Noske
Mary Anna Pomonis
Steven Poster
Max Presneill
Dominic Quagliozzi
Mike Reynolds
Sandy Rodriguez
Andy Romanoff
Yoshie Sakai
Danny Schaefer
Julia Strickler
Ami Tallman
Christa Toole
Philip Vaughan
Marjan Vayghan
Mike Vegas
Tracey Weiss
Renelle White Buffalo
Steven Wolkoff
Peggy Zask
Essi Zimm
Thursday, January 23, 2014
Super Heroes, Holy Land:
"Tower of David"
This is "Tower of David" — one of the works in my all-new show, "Super Heroes, Holy Land!"
The Tower of David as it now stands is actually an Ottoman structure, having been destroyed and rebuilt numerous times since it was first built in the second century B.C.E. — with no connection to King David at all. Nonetheless it has come to represent him and his palace, and has a place on every Jerusalem tourist’s list. In addition to the stone textures taken from comics used to build this paper tower, there are pieces from Theodore Herzl’s speech at the First Zionist Conference and from a traveler’s phrasebook, underscoring the dichotomy between the history of Israel and the way these sites are experienced by the tourist. This papercut includes:
And you can see all of the work online in this PDF catalog.
The Tower of David as it now stands is actually an Ottoman structure, having been destroyed and rebuilt numerous times since it was first built in the second century B.C.E. — with no connection to King David at all. Nonetheless it has come to represent him and his palace, and has a place on every Jerusalem tourist’s list. In addition to the stone textures taken from comics used to build this paper tower, there are pieces from Theodore Herzl’s speech at the First Zionist Conference and from a traveler’s phrasebook, underscoring the dichotomy between the history of Israel and the way these sites are experienced by the tourist. This papercut includes:
Automatic Kafka #1 (Sep 2002)The show is open through March 14 at UCLA Hillel's Dortort Gallery in Los Angeles, at 574 Hilgard Avenue; call 310-208-3081 for more information.
300 #2 and #3 (Jun and Jul 1998)
Aquaman #23.1 (Nov 2013)
Dreadstar and Company #6 (Dec 1985)
Green Lantern #23.3 (Nov 2013)
The Infinite Horizon #4 (Sep 2011)
Infinite Vacation #5 (Jan 2013)
Justice League of America #7.4 (Nov 2013)
Secret #2 (Jun 2012)
Warlock and the Infinity Watch #12 (Jan 1993)
Wonder Woman #23.2 (Nov 2013)
Berlitz Hebrew Phrase Book. Grosset & Dunlap, New York (1964).
Israel. Ed. by Yigael Yadin. Massadah Publishing Co. Ltd., Tel Aviv (1958). Portion used is an essay by David Ben-Gurion.
“The Jewish State.” Theodore Herzl, 1896.
And you can see all of the work online in this PDF catalog.
Labels:
architecture,
blue,
comics,
Dortort,
Israel,
Jerusalem,
King David,
Los Angeles,
Paper Midrash,
papercut
Thursday, January 16, 2014
Tonight: opening reception for "Super Heroes, Holy Land"
This is "The Menorah," one of the papercuts in my all-new show, "Super Heroes, Holy Land" – opening tonight at the Dortort Gallery at UCLA Hillel
in Los Angeles. The reception is free and open to the public, and goes from 7 to 9 p.m. The show is open through March 14.
The Knesset Menorah, upon which this papercut is based, is itself a history text, with scenes carved into detailing the history of the Jewish people. In “The Menorah,” cut-up scenes and speech bubbles from Daredevil comics stand in lieu of these stories; the story of this blind super hero who faces continual trials and challenges serves as a parallel to the high and low points of our people’s narrative. It includes:
Reception details
Dortort Gallery, UCLA Hillel
574 Hilgard Avenue • Los Angeles, CA 90024
Parking is available across the street at on-campus meters; call 310-208-3081 for more information.
The Knesset Menorah, upon which this papercut is based, is itself a history text, with scenes carved into detailing the history of the Jewish people. In “The Menorah,” cut-up scenes and speech bubbles from Daredevil comics stand in lieu of these stories; the story of this blind super hero who faces continual trials and challenges serves as a parallel to the high and low points of our people’s narrative. It includes:
Automatic Kafka #1 (Sep 2002), #3 (Nov 2002), #4 (Dec 2002)
Daredevil [vol 1] #107 (Jul 2008)
Daredevil [vol 2] #56 (Mar 2004)
Daredevil [vol 3] #14 (Aug 2012), #15 (Sep 2012), #16 (Oct 2012), #27 (Aug 2013)
Powerless #3 (2005)
Secret #1 (May 2012)
Testament #9 (Oct 2006), #11 (Dec 2006)
Jews, God and History. Max Dimont. The New American Library, New York (1964).I've posted a PDF catalog of all the work in the show – so please click the link and take a look.
Reception details
Dortort Gallery, UCLA Hillel
574 Hilgard Avenue • Los Angeles, CA 90024
Parking is available across the street at on-campus meters; call 310-208-3081 for more information.
Labels:
comics,
Dortort,
Israel,
Jerusalem,
Los Angeles,
menorah,
Paper Midrash,
papercut
Wednesday, January 15, 2014
Super Heroes, Holy Land:
"Tree of Knowledge" (for Tu B'shevat)

This is "Tree of Knowledge," one of the new papercuts premiering in my new show, "Super Heroes, Holy Land" — opening tomorrow night at UCLA Hillel's Dortort Gallery in Westwood.
It seemed an appropriate papercut to share on Tu B'Shevat, the "new year of the trees." It's inspired by a vision of Israel in its early years being planted with trees funded by Jews around the world. This tree is a representation of this bustling growth of the state, backed by cut-up dictionaries and representations of books and libraries from comics.
Opening Night Details
Thursday, January 16, from 7 to 9 at the Dortort Gallery: 574 Hilgard Avenue; LA, CA 90024. Parking is available across the street at on-campus meters; call 310-208-3081 for more information. The show is open through March 14. And if you want to see what else is in the show, please check out the online PDF catalog.
Labels:
blue,
Dortort,
Eden,
leaves,
Los Angeles,
papercut,
tree,
Tu B'shevat
Tuesday, January 14, 2014
"Super Heroes, Holy Land" catalog now online
I've posted a PDF catalog of all the work in my new show, "Super Heroes, Holy Land" – so please click the link and take a look.
The show comprises all new work exploring Israel's history and its present, as well as the narrative inherent in country-building and the ideals of Zionism. The papercuts show the country in natural as well as architectural settings, in work driven by story and character. They feature cut-up comics, including Israeli ones I purchased on my trip, as well as pieces of old books, maps and ephemera collected during the trip.
You can see all of the work LIVE this Thursday (January 16) at the opening night reception for the show. Join me from 7-9 pm at the Dortort Gallery at UCLA Hillel in Los Angeles: 574 Hilgard Avenue; LA, CA 90024. Parking is available across the street at on-campus meters; call 310-208-3081 for more information. The show is open through March 14.
Labels:
Dortort,
Israel,
Jerusalem,
Los Angeles,
papercut
Sunday, January 12, 2014
Rhea Carmi's "Humanity's Struggles"
My opening is next Thursday, January 16, at the Dortort Gallery (at the UCLA Hillel) in Los Angeles from 7 to 9 pm; I'd love to see you there. There are actually three artists opening new shows at the Hillel that night, which means LOTS of great art for you to enjoy.
Rhea Carmi is one of them. Her work "celebrates with antiquity the everlasting human spirit, which survives the brutality, and insanity of war, aridity and harshness of human nature as it endures." Her series called "Humanity's Struggles" is very strong, and I'm sure you'll enjoy it – here are some detail shots I took when I stopped by last week for a sneak preview.
The opening night reception is free to the public — join me on Thursday, January 16, 2014, from 7-9 pm at the Dortort Gallery at UCLA Hillel in Los Angeles: 574 Hilgard Avenue; LA, CA 90024. Parking is available across the street at on-campus meters; call 310-208-3081 for more information. The show is open through March 14.
Rhea Carmi is one of them. Her work "celebrates with antiquity the everlasting human spirit, which survives the brutality, and insanity of war, aridity and harshness of human nature as it endures." Her series called "Humanity's Struggles" is very strong, and I'm sure you'll enjoy it – here are some detail shots I took when I stopped by last week for a sneak preview.
The opening night reception is free to the public — join me on Thursday, January 16, 2014, from 7-9 pm at the Dortort Gallery at UCLA Hillel in Los Angeles: 574 Hilgard Avenue; LA, CA 90024. Parking is available across the street at on-campus meters; call 310-208-3081 for more information. The show is open through March 14.
Thursday, January 9, 2014
Super Heroes, Holy Land:
Thickets
Above on the left is my new papercut about the binding of Isaac, called "The Thicket." On the right is a piece by Avner Moriah on the same subject. Both are at the UCLA Hillel building right now – and you can see them and much more on Thursday, January 16.
My new show is called "Super Heroes, Holy Land" and is inspired by my family trip to Israel this past summer. It's all new work, and it's all stunning – and some of the largest work I've yet made.
The opening night reception is Thursday, January 16, from 7 to 9 pm, and it's free to the public. Plus, it's also the opening night for Avner Moriah and Rhea Carmi, who have work in other locations in the Hillel building.
Please join me at the Dortort Gallery at UCLA Hillel in Los Angeles: 574 Hilgard Avenue; LA, CA 90024. Parking is available across the street at on-campus meters; call 310-208-3081 for more information. The show is open through March 14.
Labels:
Abraham,
Dortort,
Isaac,
Israel,
Jerusalem,
Los Angeles,
painting,
Paper Midrash,
papercut,
Torah
Wednesday, January 8, 2014
Steve Wolkoff and "the power of repitition"
This week I got to meet Steve Wolkoff, a local artist whose current work includes self-described "word piles" which he says are a response to Anish Kapoor’s “1,000 Names.” I *love* that these works are made of paint, and therefore still "paintings."
Above you can see him with a piece about the Torah's 613 mitzvot (plural of mitzvah; in English, commandments) that will be in an upcoming group show in Los Angeles. He told me about the significance of the white and the blue in this, his first non-monotone pile. The 248 white mitzvot represent the "positive" commandments, the number of bones and main organs in the human body (per the Talmud); the 365 blue represent the "negative" commandments, one for each day in the solar year. So, yeah – he wrote/painted the word mitzvah 613 times and built a pile out of them.
You can check out more of his work on his website – I suggest you start with his piece titled, "the names of all my facebook friends," which I find presents an interesting commentary on our contemporary obsession with social networks. He writes:
I recreated the facebook experience in paint. I wrote the names of all my facebook friends in “facebook-blue” acrylic squiggles. Like facebook, some friends’ names are fully visible; others are partially obscured; most are lost within the mass of other friends – they are there, but you will never see them on your wall.
Labels:
Hebrew,
lettering,
Los Angeles,
mitzvot,
painting,
sculpture,
Torah,
typography,
Wolkoff
Monday, January 6, 2014
Super Heroes, Holy Land:
"Jerusalem of Gold"
This is "Jerusalem of Gold," one of the new pieces I'm premiering in my next show, which opens on January 16 at the Dortort Gallery in Los Angeles.
The show is called "Super Heroes, Holy Land!" and it's inspired by my family trip to Israel this past summer — my first time back since my wife and I lived in Jerusalem for a year in the mid 1990s.
The show explores Israel's history and its present, as well as the narrative inherent in country-building and the ideals of Zionism. The papercuts feature cut-up comics, including Israeli comics I purchased on my trip, as well as pieces of old books, maps and ephemera collected in Israel.
The opening night reception is free to the public, and there are two other artists premiering new work that same evening – a great night of art! Please join me on Thursday, January 16, 2014, from 7-9 p.m. at the Dortort Gallery at UCLA Hillel in Los Angeles: 574 Hilgard Avenue; LA, CA 90024. Parking is available across the street at on-campus meters; call 310-208-3081 for more information. The show is open through March 14.
“Jerusalem of Gold” references the story of Rabbi Akiva giving his wife a tiara with this name — just as the papercut explores the role of women in prayer and the continuing evolution and pursuit of gender equality at the Kotel (the Western Wall). The women in this piece are relegated to the margins, away from the Wall — and the speech bubble above Wonder Woman and her companion is blank, representing the silencing of women’s voices at this holy site.
Labels:
Dortort,
Israel,
Jerusalem,
Los Angeles,
papercut,
Wonder Woman
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