Hineini: A Papercut Commission

Hineini: The Ordination of Meir Bargeron

“Hineini” was commissioned for Meir Bargeron by his husband Jon to mark his 2020 rabbinic ordination from Hebrew Union College-Jewish Institute of Religion.

Designed to complement their ketubah, the commission has at its top a similar lattice-like design, filled with comic book speech bubbles that tell a “Hineini “narrative, a call-and-response to inspire us to action.

The lattice at the top evokes a roof, and matches the top of Meir and Jon's ketubah.

Exodus 40:38 and Numbers 9:15-16 indicate that the Pillar of Fire and Pillar of Cloud which protected the Israelites on their journey through the wilderness were actually one pillar — during the day the cloud was visible, and at night the fire inside was revealed. With this in mind the lattice sits on this singular Pillar of Cloud and Fire, source of Divine protection and symbol of God’s sheltering presence, styled in similar fashion to the Havdalah candle in Meir and Jon’s ketubah. The fire within is also a reference to Kedushat Levi, Exodus, Mishpatim 11, in which we read that serving God through observing the commandments and studying Torah gives satisfaction to God, and we experience God’s satisfaction as a burning fire of enthusiasm and inspiration in our heart — and that the “consuming fire” mentioned in the biblical account of the Revelation at Mount Sinai is not a description of what was visible on the mountain, but rather a reminder of this fire within us.

At the center is Meir as Avram (or perhaps the other way around) — a “Hineini” moment in which Meir gets his calling from the Divine. Inspired by the Torah which Meir has taught in sermons and in his thesis, it evokes the experience of ordination which — though it may not be where expected — is nonetheless transformative. Beneath Meir is a foundation of texts from which he has drawn his teachings: stories of Avraham and Sarah, Jacob becoming Israel, Ruth and Naomi, and more; these texts form the Hebrew word “Hineini.”

The Hebrew word "Hineini" is filled with texts from Rabbi Meir's thesis and sermons.

Beneath the texts are tall stands of wheat and barley in the style of Frank Lloyd Wright stained glass. Wheat and barley are two of the seven species (connecting back to the grapes and pomegranates in Meir and Jon’s ketubah); they are a reference to the fields that Ruth and Naomi gleaned together; and they also allude to the many Jewish texts that use wheat and barley as metaphors for growth and morality. Within the stalks can be found maps which point to the past (Minneapolis), the present (Los Angeles), and the future (Fort Wayne).

Wheat and barley and traditional Jewish metaphors for growth and morality.

The Superman panel in which he proclaims, “It’s me” is from the most recent Superman storyline, in which he reveals his truth to the world: he is both Superman and Clark Kent. In issue 18 he says, “When I show up as Superman, I want to show up representing both parts of me at the same time.” It is a bold story about truth and authenticity. He is declaring his identity and his purpose, and responding to a call for action with his whole self — the perfect story to mark Meir’s rabbinic ordination.

The "social distancing" hand-off.

Comics in "Hineni" include:

Action Comics #687 (June 1993) — “Look! Up in the sky!!”
Blackest Night: The Flash #1 (February 2010)
Bucky Barnes: Winter Soldier #1 (December 2014)
Detective Comics #936 (September 2016) — “There’s a call for you.”
Etc #1 (1989)
Eternals #10 (July 1986) — “I am here.”
Fantastic Four #587 (January 2011)
Flash #0 (October 1994) — Story called “the beginning of tomorrow”
The Flash: Rebirth #1 (June 2009)
The Flash #1 (June 2010)
JLA Secret Origins (November 2002)
Justice League International #35 (February 1990)
Kabuki: Reflections #6 (June 2006)
Secret Origins #7 (October 1986) — “Oh...My...God...!”
Shazam: The Power of Hope (November 2000)
Silver Star #1 (February 1983) — Jack Kirby
Superman: Peace on Earth (January 1999) — Krypto (for Charlie)
Superman #18 (February 2020) —Superman reveals his truth
Superman: Heroes #1 (April 2020) — “It’s me.”
Ultimate X-Men #63 (November 2005)

Texts include:

Genesis 12:1 — “Lech Lecha”
Genesis 17:5 — Avram becomes Avraham
Genesis 32:29 — Jacob becomes Israel
Exodus 3:4 — “Hineini”
Mah Tovu — Jacob’s tents
Exodus 18:19 — Yitro and Moses
Ruth 1:16 — “Wherever you go, I will go with you”

And today we had a virtual gathering over Zoom to celebrate Meir's ordination, at which the commission was presented. Mazal tov, Rabbi Meir Bargeron!

Join me this Sunday for "Sacred Words, Sacred Texts" opening reception

Please join me this Sunday afternoon in Los Angeles from two to five p.m. for the opening reception of “Sacred Words, Sacred Texts” – an exhibition in collaboration with American Jewish University,
USC Hillel and Hebrew Union College - Jewish Institute of Religion/LA.

It's a group show featuring artists from around the world, and I am pleased to have 12 papercuts included, many on loan from local collectors.

The reception starts at 2 pm at Hebrew Union College (3077 University Avenue, Los Angeles – 213 749 3424) and at some point wanders down to the USC site for dessert.

For details, visit the Facebook invitation page – and please "like" my fan page to get regular updates in your Facebook feed.

The exhibition runs through mid-December 2013.

"Sacred Words, Sacred Texts" features twelve B2 papercuts; please join me at the reception.

Please join me in Los Angeles on Sunday, October 13, from two to five pm, for the opening reception of “Sacred Words, Sacred Texts” – an exhibition in collaboration with American Jewish University,
USC Hillel and Hebrew Union College - Jewish Institute of Religion/LA.

I am pleased to have 12 papercuts included in this exciting exhibition, many on loan from local collectors.

The reception starts at 2 pm at Hebrew Union College (3077 University Avenue, Los Angeles – 213 749 3424) and at some point wanders down to the USC site for dessert.

For details, visit the Facebook invitation page – and please "like" my fan page to get regular updates in your Facebook feed.

The exhibition runs through mid-December 2013.

"Fantastic Exodus" showing in Northern California

"Fantastic Exodus" is one of the new works in my one-man show at the Peninsula JCC in Foster City, California. I'll be leading a gallery tour and making a brief presentation this Sunday, February 10; visit the PJCC website for details on the show or to reserve your spot.

In this papercut, the members of the Fantastic Four (from left to right: Reed, Ben, Johnny, and Sue) represent the four elements (water, earth, fire and air) and four of the elements of Israel’s journey from slavery to freedom (crossing the Sea of Reeds, gathering at Sinai, and being protected by the pillar of fire by night and pillar of cloud by day). As usual, the work is backed with cut-up comics representing these characters and themes:

• Fantastic Four #15 (Jun 1963), 17 (Aug 1963), 21 (Dec 1963), 23 (Feb 1964), 248 (Nov 1982), 265 (Apr 1984), Annual #18 (1984), 282 (Sep 1985), 286 (Jan 1986), 290 (May 1986), 296 (Nov 1986), 297 (Dec 1986), 305 (Aug 1987), 314 (May 1988), 544 (May 2009), 587 (Mar 2011)
• Fantastic Four: The Lost Adventure #1 – Apr 2008
• Fantastic Four: Flesh and Stone – 2000
• Marvel Adventures: Fantastic Four #34 – May 2008
• The Last Fantastic Four Story #1 – Oct 2007
• Fantastic Four 2099 #6 – Jun 1996
• Fantastic Five: The Final Doom #1-5 – 2007
• The Thing vol. 1 #22 – Apr 1985
• The Thing vol. 2 #2 – Feb 2006, 7 – Jul 2006
• Hulk and Thing: Hard Knocks #1 – Nov 2004
• Ultimate Fantastic Four #3 – Mar 2004, 5 – May 2004, 10 – Oct 2004, 42 – Jul 2007

El na r'fa na la

I've been working on a "healing" piece lately for a possible book cover project -- here's what I've come up with. It's a combination of papercutting, watercolor, and digital collage.

This work is based on the eponymous episode in Bamidbar (Numbers) 12:13 in which Miriam falls ill and her brother Moses prays to God saying, "Heal her now, O God, I beseech Thee" (which is what the title of this work means in English).

I've represented Moses's hands reaching up and out towards the heavens, represented by seven blocks of watercolor; these blocks stand for the seven pillars of cloud which protected the Israelites on their journey through the desert. Behind the cut-out hands is a portion from an old Torah commentary that had been headed for ritual burial in the genizah.

See what's on exhibit at The Finegood Gallery

Right now I'm showing four pieces in a group show at The Finegood Gallery of the West Valley Jewish Community Center (West Hills, California) -- click the image above to see a larger version (but go see the show, open through October 17, to see them as they were intended to be enjoyed):

The Finegood Gallery
WVJCC
22622 Vanowen Street
West Hills, California
818 464 3218

Pillars of Cloud and Firein local fundraiser auction

This Sunday (June 6) Temple Ahavat Shalom in Northridge (California) is having its annual benefit gala, which includes a fundraiser auction. Two of my papercuts will be available for bidding: "Pillar of Cloud" and "Pillar of Fire." They are both works in paper and acrylic on canvas, measuring 11" x 14". They are mounted above the canvas, so the interplay between form and shadow is more pronounced, and they've been professionally framed in deep frames.

More information on the gala is available on the TAS website here.