Thank you for a great 2015

Whew! It's been a great year, and I am so pleased to have shared it with you!

Workshops up and down the West Coast (including Congregation Kol Ami, Temple Beth Hillel, and  Temple Ahavat Shalom), the new windows at Maimonides Jewish Day School in Portland, my annual residency at URJ Camp Newman, commissions galore, an enormous ketubah featuring Adam Strange and Emma Frost, winning a juror's award in "Heroes & Villains" at the Smithsonian-affiliated Annmarie Sculpture Garden and Arts Center, the opening of my latest show "Women of Valor and Other Super Heroes" at National Council of Jewish Women/Los Angeles, participating in the Jerusalem Biennale, presenting "To Boldly Go" to William Shatner... and so much more! Too much to put in one graphic, in fact!

To paraphrase "Hamilton" – I'll see you on the other side of the year...

New ark doors at Adath Jeshrun feature "Burning Bush: Flame On"

As you can see in the image above, the design of the new ark doors at Congregation Adath Jeshrun in Louisville, Kentucky, is based on my recently completed papercut, "Burning Bush: Flame On."

The doors were made by Todd Deetsch of Interior FX, Inc.; he adapted the design into a three-color application in cooler colors, having been directed by the congregation to avoid warmer colors.

Inspired by the first chapter of the book of Shemot (aka Exodus) in the Torah, in the papercut I tried to convey the sense of wonder and awe that Moses felt upon encountering the Burning Bush in the desert and hearing God's voice speak to him from its midst. The background is made up of cut-up comics (including quite a few variations on the Human Torch, from the Fantastic Four), but also a bit of a Chumash that was destined for the genizah. And of course, just to the right above center the eponymous words, "Flame on!"

Todd tells me that the gold colored lead is Dutch metal, and that he used both standard gilding and a "broken gilding" technique to create the different values of gold. The blue-colored leaf is actually real silver leaf that is hand-dipped into an acrylic resin, and the silver-colored leaf is actually aluminum, also done in a "broken gilding" technique. You can see the colors nicely in this detail of one of the doors:

The papercut will be on display (and available for purchase) at my upcoming show this fall in Northern California; I'll have details here on my blog later this summer.