Hineini: A Papercut Commission

Hineini: The Ordination of Meir Bargeron

“Hineini” was commissioned for Meir Bargeron by his husband Jon to mark his 2020 rabbinic ordination from Hebrew Union College-Jewish Institute of Religion.

Designed to complement their ketubah, the commission has at its top a similar lattice-like design, filled with comic book speech bubbles that tell a “Hineini “narrative, a call-and-response to inspire us to action.

The lattice at the top evokes a roof, and matches the top of Meir and Jon's ketubah.

Exodus 40:38 and Numbers 9:15-16 indicate that the Pillar of Fire and Pillar of Cloud which protected the Israelites on their journey through the wilderness were actually one pillar — during the day the cloud was visible, and at night the fire inside was revealed. With this in mind the lattice sits on this singular Pillar of Cloud and Fire, source of Divine protection and symbol of God’s sheltering presence, styled in similar fashion to the Havdalah candle in Meir and Jon’s ketubah. The fire within is also a reference to Kedushat Levi, Exodus, Mishpatim 11, in which we read that serving God through observing the commandments and studying Torah gives satisfaction to God, and we experience God’s satisfaction as a burning fire of enthusiasm and inspiration in our heart — and that the “consuming fire” mentioned in the biblical account of the Revelation at Mount Sinai is not a description of what was visible on the mountain, but rather a reminder of this fire within us.

At the center is Meir as Avram (or perhaps the other way around) — a “Hineini” moment in which Meir gets his calling from the Divine. Inspired by the Torah which Meir has taught in sermons and in his thesis, it evokes the experience of ordination which — though it may not be where expected — is nonetheless transformative. Beneath Meir is a foundation of texts from which he has drawn his teachings: stories of Avraham and Sarah, Jacob becoming Israel, Ruth and Naomi, and more; these texts form the Hebrew word “Hineini.”

The Hebrew word "Hineini" is filled with texts from Rabbi Meir's thesis and sermons.

Beneath the texts are tall stands of wheat and barley in the style of Frank Lloyd Wright stained glass. Wheat and barley are two of the seven species (connecting back to the grapes and pomegranates in Meir and Jon’s ketubah); they are a reference to the fields that Ruth and Naomi gleaned together; and they also allude to the many Jewish texts that use wheat and barley as metaphors for growth and morality. Within the stalks can be found maps which point to the past (Minneapolis), the present (Los Angeles), and the future (Fort Wayne).

Wheat and barley and traditional Jewish metaphors for growth and morality.

The Superman panel in which he proclaims, “It’s me” is from the most recent Superman storyline, in which he reveals his truth to the world: he is both Superman and Clark Kent. In issue 18 he says, “When I show up as Superman, I want to show up representing both parts of me at the same time.” It is a bold story about truth and authenticity. He is declaring his identity and his purpose, and responding to a call for action with his whole self — the perfect story to mark Meir’s rabbinic ordination.

The "social distancing" hand-off.

Comics in "Hineni" include:

Action Comics #687 (June 1993) — “Look! Up in the sky!!”
Blackest Night: The Flash #1 (February 2010)
Bucky Barnes: Winter Soldier #1 (December 2014)
Detective Comics #936 (September 2016) — “There’s a call for you.”
Etc #1 (1989)
Eternals #10 (July 1986) — “I am here.”
Fantastic Four #587 (January 2011)
Flash #0 (October 1994) — Story called “the beginning of tomorrow”
The Flash: Rebirth #1 (June 2009)
The Flash #1 (June 2010)
JLA Secret Origins (November 2002)
Justice League International #35 (February 1990)
Kabuki: Reflections #6 (June 2006)
Secret Origins #7 (October 1986) — “Oh...My...God...!”
Shazam: The Power of Hope (November 2000)
Silver Star #1 (February 1983) — Jack Kirby
Superman: Peace on Earth (January 1999) — Krypto (for Charlie)
Superman #18 (February 2020) —Superman reveals his truth
Superman: Heroes #1 (April 2020) — “It’s me.”
Ultimate X-Men #63 (November 2005)

Texts include:

Genesis 12:1 — “Lech Lecha”
Genesis 17:5 — Avram becomes Avraham
Genesis 32:29 — Jacob becomes Israel
Exodus 3:4 — “Hineini”
Mah Tovu — Jacob’s tents
Exodus 18:19 — Yitro and Moses
Ruth 1:16 — “Wherever you go, I will go with you”

And today we had a virtual gathering over Zoom to celebrate Meir's ordination, at which the commission was presented. Mazal tov, Rabbi Meir Bargeron!

Mazal tov!

Here's the happy couple signing their ketubah — mazal tov to Michael and Michael!

Latz-Simon Ketubah: Mt. Rainier, Victoria Falls, and Metzada

 

This week I finished my latest papercut ketubah, and I've just heard that the couple received it... so now I can share some pictures here on my blog!

As with all of my ketubot, I spent some time talking with the couple to get a sense of who they are and how to represent them at this time in their life together. They told me about their love of travel and their love of Israel, about where they've been and where they're going.

The entire ketubah is sheltered with a stylized hupah of the Seven Species, and under the text are three "heights" that represent their lives: Mt. Rainier (lower left), Victoria Falls in Rhodesia (lower right), and Metzada (directly under the text) -- you can see close-ups of the landscape images below. The backgrounds are composed of handmade textured papers, maps, some old science and nature books, and -- of course -- some comic books.

And what a great coincidence that this ketubah -- for two fine Jewish gentlemen -- should be completed the same week that President Barack Obama declared his support of marriage equality!

As always, click on any of the pix (above or below) to see them larger.

The Cooper-Poster Ketubah

I couldn't be prouder of the ketubah I just completed for David Poster and Rebecca Cooper; it's the one I've been sharing details from here on the blog, and now I'm letting you see the whole thing (click on the pic to see it larger).

The overall look of the ketubah is based on a deco aesthetic, to reflect the feel of the Palais Royale, where they will celebrate their wedding; this can be seen in the decorative borders, the patterned style of the imagery, and the English calligraphy style.

The Torah portion from the week they were married is Parashat Bo, which describes the preparations our ancestors undertook in Egypt prior to the Exodus, which we now celebrate as Passover. Specifically, the mezuzah is discussed, and that is represented as an abstracted door frame around the ketubah, built out of traditional wedding verses from the book of Jeremiah: “It is still heard in the land of Judea, and in the street of Jerusalem: the sound of celebration and joy, the voice of the bride and groom.” This shape also represents the hupah under which they were married.

The main imagery is based on the seven species, described in the Torah, in the book of Deuteronomy: “A land of wheat, and barley, and vines; of fig trees and pomegranates; a land of olive oil and date honey.” This is a traditional Jewish motif, selected to illustrate David and Rebecca’s love of cooking together. The colors are warm and organic, reflecting the natural world.

Pomegranates and wheat!

Two more details from my recent "seven species" ketubah, completed in January -- pomegranate and wheat! The seven species are grapes, olives, wheat, barley, [date] honey, pomegranates, and figs -- all mentioned in D'varim (Deuteronomy) 8:8.